Populärkultur transnational - Europa in den langen 1960er Jahren

04-201802-2022

Popkult60

A new interdisciplinary research group composed of members of the Luxembourg Centre for Contemporary and Digital History (C²DH), the Institute for History at the University of Luxembourg and Saarland University will investigate transnational transfers of popular culture in Europe in the 1960s.

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This three-year project between Germany and Luxembourg has received €2 million in funding from the Luxembourg National Research Fund (FNR) and its German equivalent, the German Research Foundation (DFG). The research team is composed of three professors from Saarland University (Prof. Dietmar Hüser, spokesman for the research unit (Forschergruppe), Prof. Clemens Zimmerman and Prof. Christoph Vatter) and three professors from the University of Luxembourg (Prof. Andreas Fickers, Prof. Sonja Kmec and Prof. Benoît Majerus). The grant provides funding for seven PhD students, four at Saarland University and three at the University of Luxembourg.

Was the “Americanisation” of popular culture after World War Two really as pervasive as generally believed? What about intra-European influences, for example between France, Spain, the UK and Germany? The research unit will investigate the circulation and adaptation of televised variety shows, popular music and youth media. It will also look at cultural, generational and even economic resistance that hindered or prevented the exchange or transfer of cultural formats and productions. A total of seven case studies will be analysed. The Luxembourg-based projects will focus on the history of cartoon strips, commercial radio stations (Europe 1 and Radio Luxembourg) and amateur film clubs in the Greater Region. The researchers will examine both the content and the form of these different media and the producers and consumers involved.

The project is innovative in two respects: firstly in terms of its subject, popular culture, which has long been ignored or even frowned upon by the discipline; and secondly because of its transnational, interdisciplinary nature. The comparative approach will enable the team to examine where histories intersect and overlap, shedding light on the many areas of tension that characterised the processes of circulation, adaptation and resistance in the long decade of the 1960s, a period that saw the emergence of mass consumption of popular culture.

Lectures, workshops and presentations

26 April 2018 – Opening of the exhibition “Échos luxembourgeois de Mai 68”.

9 May 2018 – Forum Z: “May 68 – myth vs reality”.

29 October 2018 – “Amerikanisierung, Westernisierung, Europäisierung? Popgeschichte und die historischen Raumdebatten“, lecture by Bodo Mrozek (Centre for Contemporary History (ZZF), Potsdam), organised in connection with a workshop held by the research group.

Ongoing PhD theses

Jessica Burton, Anti-Heroes of De-americanization? – The bandes dessinées of the Franco-Belgian School as actors in the popular cultural Europeanization of comic culture in the long 1960s

Richard Legay, Commercial radio stations and their soundscape in popular culture and practices in Western Europe in the 60s – Transnational and transmedia approaches to the history of Radio Luxembourg/RTL and Europe 1 in the larger 1960s

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