Data

This book chapter concentrates on photography as a technology that goes beyond the image. The chapter looks at documentary photography as an institutional and material practice of humanitarian ‘propaganda’ and discusses how notions of childhood intensified the urgency of humanitarian campaigns. It analyzes how UNESCO carefully selected and edited David Seymour’s photographs of children of war-devasted Europe, and how the organization adapted and exploited his photographs for its own ends.

In this presentation, I will “perform” the making of a 16mm home movie based on my media archaeological experiments with an original Ciné-Kodak film camera from 1930. A split screen montage shows the recorded analogue film fragments besides footage that illustrates the process of making the film captured by my documentation equipment, including a digital video camera, GoPro and 360 degree camera.

The international online symposium brought together scholars, museum professionals and heritage practitioners to discuss how participatory history is constructed, developed, and implemented in museums. 'Making History Together: Public Participation in Museums' took place on 15 December 2020 and has brought together participants and case studies from all over the world. Sessions include discussions on co-creation and co-production, community of interpretation, digital public participatory practices, empowerment, and overall impact on making history in museums.

This presentation addresses the question in what ways visual media have contributed to the construction of a specific view on twentieth-century century (family) life by means of an experimental media archaeological approach to early home movie making. Based on hands-on experiments with an original Ciné-Kodak 16mm film camera from 1930, it will be shown how filming one’s family was never truly a neutral practice of capturing everyday life.

Au 31 janvier 2020 à minuit (heure de Bruxelles), le Royaume-Uni a quitté l'Union européenne. Cette sortie n'est pourtant pas totale : conformément à l’accord de retrait, le pays est entré dans une transition qui lui permet de négocier sa future relation avec l’UE, tout en restant provisoirement intégré à un certain nombre de politiques européennes. Cette phase doit prendre fin au 31 décembre 2020 au plus tôt, mais les pourparlers semblent actuellement en impasse.

Sept décennies après la signature de la Convention européenne des droits de l’homme (Rome, 4 novembre 1950) et vingt ans après la proclamation la Charte des droits fondamentaux de l’Union européenne (Nice, 7 décembre 2000), la sauvegarde des libertés fondamentales et de l’État de droit mis en cause par certains État membres se trouvent parmi les défis majeurs de l’Europe.

Luxembourg camp literature has its literary roots in the literature of prisoners of war and prisoners of war of the First World War. During their Soviet imprisonment from 1943 to 1953, the Luxembourg conscripts continued a tradition of documentarism that did not want to create fictional narrative worlds, but instead focused exclusively on what they had experienced themselves. A large part of the texts left behind is also not literature that was written for a larger audience. They have often been published by the authors themselves.

Since the 1970s, the Publications Office of the European Union, the official publisher of all the institutions and bodies of the EU, has had to adapt to a fast-changing situation as the number of EU Member States has grown and the number and nature of publications has evolved (including publishing public tenders of EU institutions and Member States in 1978 through a supplement to the Official Journal of the European Union and handling CELEX, an interinstitutional and multilingual automated documentation system for community law, in 1992).