Public history

A Forum Z on history paintings, 3D reconstructions, virtual worlds and time machines.

On 19 and 20 March, the C²DH hosted a two-day hands-on workshop on the use of interactive digital storytelling for academic historians with Sandra Gaudenzi, one of the leading experts in interactive storytelling and a senior lecturer at the University of Westminster.

Konferenz von Jörg Türschmann (Universität Wien).

Multimedia artist Chiara Ligi will present the installation created for the exhibition ‘Être d’ailleurs en temps de guerre (14-18). Étrangers à Dudelange – Dudelangeois à l’étranger’, providing an insight into its concept and development.

Projet conjoint avec l'Université Rennes 2, le "Goût de l'archive à l'ère numérique" est un livre en ligne, vivant, investiguant les changements de la relation des historien.ne.s à leurs sources primaires. La "Gazette des Archives" - la revue des archivistes français créée en 1933 - en publie une capture dans son numéro 253.

Lectury by Thorsten Logge, Universität Hamburg

Hands-on History session with Gilles Zeimet, National Museum of History and Art (MNHA)

Who’s afraid of the Digital? This was the leading question of C²DH’s first Forum Z in 2019, organised by the Digital History Unit of the centre. Museum curators, schoolteachers, researchers and professional educators presented their projects in the House of Startups in Luxembourg City in the form of hands-on workstations followed by an round table discussing the merits of new digital projects with the audience in a casual atmosphere.

Research seminar with Douglas Lambert

This report summarises a C²DH-hosted workshop concerning some undervalued and overlooked aspects of technology.

Interdisciplinary workshop on digital urban history organised by the C²DH.

During a research visit to the Media Archaeology Lab in Boulder (CO) participants experimented with the Apple IIe. They either played an educational game or wrote a letter on a computer from the 1980s.

Lecture by Sandra Gaudenzi (University of Westminster, University College of London).

This entry briefly describes how we generated English subtitles (using digital tools) for the binaural radio play "Glanz und Elend der Kunstkopf-Stereophonie" we produced in 2017.