Data

This programma?c paper departs from the premise that new technologies, whether analog, digital, or both, have long been applied to the various steps that make up the historical research process. It argues that the ques?on of how to frame a history of digital history can thus not be reduced to the ques?on of when digital electronic compu?ng entered historical research, an oGen implicitly assumed star?ng point.

Dr. Inna Ganschow’s presentation is a nuanced reconstruction of the historical events concerning Soviet forced laborers in Luxembourg during World War II.

This chapter analyses the historical development of Luxembourg's economy from a comparative perspective (with other EU Member States) and from a geopolitical outlook (with regard to the world's smaller States), and then highlights its strengths and weaknesses in the dual context of globalisation and polycrisis. The conclusions take a forward-looking approach at the main challenges facing Luxembourg's economy.

This talk was part of a special panel entitled "Histories of Digital History: An Integral Part of the History of the Humanities?". See the abstract below: This panel seeks to engage the manifold histories of digital history set within the broader context of how new technologies have shaped historical research practices and knowledge production since at least the late 19th century. It aims to frame this investigation as an integral part of the history of the humanities and historiography, as well as the history of knowledge more generally.

The Luxembourg international financial centre developed considerably during the 1960s, propelled by several factors including concerted government policy, flexible regulation and a willingness to harness opportunities at international level. The decision to establish various Community institutions (the ECSC High Authority) and European funding institutions (EIB) in the country also had a decisive impact. The currency union with Belgium and the absence of a Luxembourg Central Bank made these developments all the more significant.

Ce panel souhaite explorer l’évolution du patrimoine et de l’histoire des codes, que ce soit sous l’influence de la préservation des codes source ou encore d’un renouvellement historiographique porté entre autres par les Critical Code Studies. Les initiatives de la fondation Software Heritage depuis 2016 de préservation mais aussi valorisation des codes comme patrimoine, de même que les travaux en cours dans le champ historique témoignent de ce renouveau qui fait suite aux travaux de Nathan Ensmenger, Martin Campbell-Kelly et bien d’autres.

Cet article s’intéresse à l’impact de formes d’intelligence artificielle (IA) sur trois aspects de la pratique de l’histoire : découverte et lecture de sources primaires, interprétation puis écriture et diffusion de la recherche. Des corpus de sources sont collectés, rassemblés et traités avec des algorithmes liés à l’apprentissage machine (machine learning) ; la production de sources est modifiée par le développement des grands modèles de langage (LLM) donnant à voir des documents plausibles plutôt que véridiques ou authentiques, invitant à réfléchir au futur de la critique historienne.

How is the participation in social and cultural activities of newly arrived Ukrainians in Luxembourg manifested (2022-2024)? Areas: Informal language courses: cultural and information mediation; Activity in media (information) channels typical for the host country: Informing about your activities, achievements, support with comments from others; Activity in media (information) channels is widespread among Ukrainians: Request for help and prompt exchange of information; Activities at the level and beyond the boundaries of communes;

1967 was a year that saw the public debut of a fundamental technological innovation in Germany and France: Starting from the 25th of August and the 1st of October respectively, emissions in color were regularly diffused on national television. From this point onwards, consumer could see a steadily increasing number of programs in color, advertisers were able to present products in televised commercials in a different way, and the consumer electronics industry was provided with a new business opportunity.

The role of CD-ROMs has often been underestimated in the journey towards digitization and media convergence (Jenkins, 2006) by the current state of the art (Schafer, 2022), leading to limited exploration (although we may mention some analysis in game studies, like Therrien, 2019, as well as in the field of cultural heritage, i.e, Lavigne, 2005).

This presentation aimed to highlight new and future challenges in the history of technology (related to new "values", topics, missing narratives, digital and public history...)