Data

Ce panel souhaite explorer l’évolution du patrimoine et de l’histoire des codes, que ce soit sous l’influence de la préservation des codes source ou encore d’un renouvellement historiographique porté entre autres par les Critical Code Studies. Les initiatives de la fondation Software Heritage depuis 2016 de préservation mais aussi valorisation des codes comme patrimoine, de même que les travaux en cours dans le champ historique témoignent de ce renouveau qui fait suite aux travaux de Nathan Ensmenger, Martin Campbell-Kelly et bien d’autres.

Cet article s’intéresse à l’impact de formes d’intelligence artificielle (IA) sur trois aspects de la pratique de l’histoire : découverte et lecture de sources primaires, interprétation puis écriture et diffusion de la recherche. Des corpus de sources sont collectés, rassemblés et traités avec des algorithmes liés à l’apprentissage machine (machine learning) ; la production de sources est modifiée par le développement des grands modèles de langage (LLM) donnant à voir des documents plausibles plutôt que véridiques ou authentiques, invitant à réfléchir au futur de la critique historienne.

1967 was a year that saw the public debut of a fundamental technological innovation in Germany and France: Starting from the 25th of August and the 1st of October respectively, emissions in color were regularly diffused on national television. From this point onwards, consumer could see a steadily increasing number of programs in color, advertisers were able to present products in televised commercials in a different way, and the consumer electronics industry was provided with a new business opportunity.

The role of CD-ROMs has often been underestimated in the journey towards digitization and media convergence (Jenkins, 2006) by the current state of the art (Schafer, 2022), leading to limited exploration (although we may mention some analysis in game studies, like Therrien, 2019, as well as in the field of cultural heritage, i.e, Lavigne, 2005).

The dissolution of the Eastern Bloc in 1989/91 led to a significant decline in East German steel production and the closure of many plants, mainly due to low productivity rates and technological deficits compared to new international competitors. However, the Maxhütte Unterwellenborn in Thuringia managed to endure this period, largely by adapting Western technology. First, a technologically advanced rolling mill was installed at the site by the Belgian Cockerill Sambre in 1985, followed by the acquisition and modernisation by Luxembourg’s ARBED group in 1992.

This presentation aimed to highlight new and future challenges in the history of technology (related to new "values", topics, missing narratives, digital and public history...)

In recent years, the critical turn in digital humanities has sparked numerous discussions about digital literacy in the discipline of history. While critical work has focused on data, tools, and the skills that historians need in the current digital age, questions remain about the broader contours of digital literacy and the multiple meanings that could be attributed to it.

At the intersection of Digital History, History of the Digital, and Public History, this panel, organised and moderated by Valérie Schafer and consisting of four presentations, aims to explore the connections between public history and web history. It particularly delves into issues related to memories, legacies, as well as the intertwining of individual and collective experiences that shape the early days of the Web and contemporary practices.

After the Second World War, as Luxembourg abandoned its neutrality and engaged in international multilateralism and European integration, it adopted a new foreign policy that enabled women to embark on careers related to international relations, as Members of the European Parliament, of the Commission, or as technocrats and experts.

Custom physical representations offer innovative ways to explore and understand historical data. This project used 1922 census data from Brill Street in Esch-sur-Alzette, applying a human-centred approach to visualize household and inhabitant variables, to create an interactive experience that connected today's residents of the street and town with the street's history.

The history of European integration after the Second World War is characterized by a crisis-led policy-making process in which the small states and their leadership have played from the outset a critical role.

An Interactive Panel Discussion on History, Technology, and the Transformation of the Archive, convened by Milan van Lange and Gerben Zaagsma.

In this paper, we relate participatory design (PD) scholarship with public history (PH) research, deepening the understanding of the relationship of PD with history, focusing on "history with PD". The latter refers to when history itself is explicitly the object of participation, and we discuss it by presenting a secondary analysis of a PH project, HistorEsch, conducted through the conceptual lens of infrastructuring. In this way, we show how PD and PH practices consider the past of a place and how they relate to public formation, intermediation, and proliferation.

Introduction of the book Online Virality. Spread and Influence (edited by Schafer and Pailler)

From the ‘Dancing baby’, ‘All your base are belong to us’ and the ‘Hampster dance’ in the second half of the 1990s to Bernie’s mittens at the US presidential inauguration, through to ‘Disaster girl’ and ‘Distracted boyfriend’, among others, memes have become an important part of our (visual) digital culture over the last 20 years. This article demonstrates why memes should be considered a critical part of our born-digital heritage, by examining their connections to digital histories and trajectories, as well as their role in pop, visual and digital culture.

The book Online Virality, edited by Valérie Schafer and Fred Pailler (C2DH, University of Luxembourg), aims to provide a comprehensive examination of online virality. It explores the many ways we can think about this modern phenomenon and analyse the circulation, reception, and evolution of viral born-digital content. Virality and content sharing always intertwine material, infrastructural, visual and discursive elements. This involves various platforms, stakeholders, intermediaries, social groups and communities that are constantly (re)defining themselves.