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Thinkering
The Historical and Cultural Dynamics of Home Movies

10 May 2017

written by :
Tim Van Der Heijden

The Historical and Cultural Dynamics of Home Movies

In the course of the twentieth century, various generations have documented and materialized their family memories on film, video and digital media. But how have these changes in technologies of memory shaped new forms of recording and screening as family memory practices?
Thinkering
Le laboratoire psychotechnique de l’Institut Emile Metz

9 May 2017

written by :
Karin Priem

The FAMOSO projects

Fabricating modern societies: Industries of reform as educational responses to societal challenges (FAMOSO and FAMOSO-2)
Thinkering
Electronic data processing machine used for making computations for aeronautical research

8 May 2017

written by :
Max Kemman

Digital Humanities and Digital Physics

From the 1940s on the computer starts playing a prominent role, shaping the field of physics. The integration of the computer in this discipline was by no means a natural inclusion, but a process of debate and negotiation of what it meant to “do” physics and what kind of knowledge can be acquired using computers.
Event
Au bord de la mer à Bredene-sur-Mer en Belgique – nature et technologie. Vers 1928.

8 May 2017

La Forge d’une société moderne. Photographie et communication d’entreprise à l’ère de l’industrialisation (ARBED 1911-1937) / Forging a Modern Society. Photography and Corporate Communication in the Industrial Age (ARBED 1911 – 1937)

An exhibition and book project resulting from a collaboration between the FAMOSO research team (C²DH) and the Centre national de l’audiovisuel (CNA – National Audiovisual Centre).
Thinkering
The Amateur Film Dispositif: A Media Archaeological Experiment

27 June 2014

written by :
Tim Van Der Heijden, Andreas Fickers

The Amateur Film Dispositif: A Media Archaeological Experiment

'Staging the Amateur Film Dispositif' is a media archaeological experiment performed on March 31, 2014 at the 9th International Orphan Film Symposium at the EYE Film Institute Amsterdam. In three tableaux we explored how past media usages of film, video and digital media have altered the practices of home movie staging.

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