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Despite the fact that photography in the Minett had been very popular since the early 1900s, working men with cameras used it to perfect their technique rather than as means of activism or social impact. Towards the 1980s, however, this began to change. Two cases of such transformation are the Fotoclub Diddeleng in the industrial town of Dudelange and the Fotokollektiv Schluechthaus in Esch-sur-Alzette.

The COVID-19 pandemic has not only sparked a renewed interest in history; it has also focused our attention on how the present can be historically preserved. Therefore, it is safe to predict that the COVID-19 crisis and its documentation will be analyzed by future historians, and it will bring about methodological and technological changes that affect our ways of working as historians of education. This chapter will examine the following: First, it looks at some basic characteristics of web archives and how they challenge our work as historians.

Early in the COVID-19 pandemic, many groups initiated crowd-sourced archives that invite members of the public to upload personal material connected to the pandemic. By archiving and publishing how "ordinary" people experienced and perceived the pandemic, these platforms influence how the pandemic is remembered and how historians will write about it. This article presents the example of covidmemory.lu and compares contributions to this platform from Luxembourg with others from German speaking countries.

The Russian invasion of Ukraine on February 24th 2022 has triggered a worldwide wave of support and expressions of solidarity, also among C²DH staff. This report gives an overview of their past activities together with a preliminary review and recommendations for the year 2023. This does not cover private support activities undertaken by C²DH members. This report consists of three parts: First, a brief summary of the response of Luxembourgish research institutions, published already in June 2022. Second, a chronology of activities by C²DH staff since March 2022.

In this article, we introduce software under development by the Digital History Advanced Research Projects Accelerator (DHARPA), an interdisciplinary team of researchers and developers working to enable best practices in the humanities through technology. We argue that the strength and appeal of historical inquiry lies largely in the relationship between scholars and their sources, a connection in which the former engage with the latter

Les tertres d’orpaillage de l’actuel territoire belge ont été identifiés comme tels vers 1876 par J. Jung. Depuis, la connaissance de ces structures n’a que peu évolué, aucun tertre n’ayant été fouillé suivant une méthodologie permettant de les dater sans équivoque. De nombreuses descriptions des formes, tailles et contenus ont été réalisées ainsi que des propositions d’attributions chronologiques reposant sur des hypothèses logiques plutôt que sur des faits empiriques (à la place d’empiriques, écrire scientifiquement démontrés ?) Seul J-M.

The "Minett" region in southern Luxembourg was the industrial heartland of the country. The mines and blast furnaces, most of which have now disappeared, once dominated the landscape. Luciano Pagliarini's collection of interviews constitutes a unique corpus of audio testimonies that allow us to discover the local history and the daily experiences of the inhabitants of that time.

Dieser fiktive Tagebucheintrag und die dazugehörige Collage erzählen die Geschichte eines Mädchens, das im Jahr 1928 die Haushaltungsschule in Differdingen anfing. Ihre Erlebnisse führen in wichtige Themen der Escher Frauenbewegung der 1920er Jahre ein, wie zum Beispiel Kindersterblichkeit, Hausfrauenarbeit und Frauenbildung.

Digitised Historical Newspapers: A Changing Research Landscape was published in Digitised Newspapers A New Eldorado for Historians? on page 1.

Between 1959 and 1961, the national newspaper Luxemburger Wort published a photo series dedicated to the Minett. These so-called “Biller aus dem Minett” (Images from the Minett) were intended to serve as a platform for amateur photographers, allowing them to show everyday aspects of life in Luxembourg’s industrial region. Today, the approximately 150 “Biller” are a collection of historical interest, which provides a unique view on Luxembourg’s industrial region shortly before the economic downfall.