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The work deals with Viktor Pelevin's novel Čapaev i Pustota and focuses on the author's literary processes that characterize his writing style. On the content level of the novel, the effects of the media that make consciousness sick are shown. In the aesthetic form of the novel, on the other hand, Buddhist strategies are implemented that can be understood as a healing countermeasure. In terms of method, the work is initially inherent in the text, drawing on narratology based on communication theory.

Objectives: The pathogenesis of Parkinson's Disease (PD) is multi-factorial and age-related, implicating various genetic and environmental factors. It becomes increasingly important to develop new approaches to organize and explore the exploding knowledge of this field.

« Internet, une histoire belge ? » Cette affiche accueille le visiteur dans le hall du Mundaneum, au cœur de Mons, ville belge qui se prépare à devenir capitale européenne de la culture en 2015. Le slogan est l’un des nombreux signes de l’actuelle volonté de réappropria- tion de l’histoire de l’Internet par les Européens, visant à sortir d’une vision trop centrée sur les États-Unis. Surtout, il inscrit d’emblée le projet d’Henri La Fontaine et Paul Otlet dans la lignée des utopies et travaux que le monde numérique intègre aujourd’hui à sa généalogie.

This Bibliography is part of the major research project dedicated to the European vocation and achievements of Pierre Werner, a former Prime Minister, Finance Minister and Foreign Minister of Luxembourg, unanimously recognised as one of the architects of Economic and Monetary Union. The first stage of the research was particularly focused on the plan for the establishment by stages of an economic and monetary union (more widely known as the Werner Report or the Werner Plan), drawn up by a group of experts chaired by Pierre Werner and officially presented on 8 October 1970 in Luxembourg.

Digital humanities seem to be omnipresent these days and the discipline of history 3 is no exception. This introduction is concerned with the changing practice of ‘doing’ history in the digital age, seen within a broader historical context of developments in the digital humanities and ‘digital history’. It argues that there is too much