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This article reflects on today’s ‘technostalgic’ trend in media culture by examining the various ways in which Super 8 film as a media technology from the past is re-appropriated and remediated in contemporary memory practices.

Inspired by experiences with doing experimental research in the fields of history of science, archaeology and musicology this essay aims at reflecting on the heuristic potential of experimental media archaeology for a history of technology interested in the sensorial dimension of technology. Based on the concept of re-enactment, experimental media archaeology tries to explore new ways of experiencing and understanding the materiality of media technologies by interacting with these objects in a playful manner.

This article delves into the history of the negotiations of the ‘Luxembourg protocol’ of 1971, which conferred jurisdiction upon the European Court of Justice (ECJ) for the interpretation of the 1968 Brussels convention. The protocol provided a preliminary ruling procedure that had undergone restrictive modifications in comparison with the European Economic Community (EEC) treaty’s original (Article 177). Some have, therefore, interpreted the outcome of the negotiations as a sign that the mechanism was being criticised in national administrations.

La Fondation internet nouvelle génération dédiait début 2015 son quatrième Carnet d’enjeux aux « controverses numériques » du présent et du futur. En filigrane émergeaient aussi des contro- verses du passé, dont témoignaient à la fois les repères chronologiques balisant la réflexion ou cette remarque introductive : «Nous sommes aussi tombés sur des controverses “mortes”, sur lesquelles rien n’a bougé depuis dix ans. »

Interview with Viviane Reding, Member of the Luxembourg Parliament from 1979 to 1989, Member of the European Parliament from 1989 to 1999 and since 2014, Member of the European Commission from 1999 to 2010 and Vice-President of the Commission from 2010 to 2014, carried out by the Centre Virtuel de la Connaissance sur l’Europe (CVCE) on 22 May 2015 at the Château de Sanem in the framework of the research project "Pierre Werner and Europe".

This paper unveils mutually constituent material, visual and metaphorical expressions of encounters between the human and the mechanical. It investigates circumstances and ways in which these expressions have come into existence, and captured and mobilised new forms of knowing and acting.

La communication a connu une patrimonialisation en amont du numérique, par la préservation de ses artefacts techniques ou de formes d’expressions politiques et médiatiques (discours politiques, écrits célèbres de la presse, émissions radiophoniques ou télévisées, etc.).