Data

The presentation deals with the problems of the data transfer being collected for research purposes in CatDV audiovisual assets management tool and the being transferred for the public access on the open born-digital collections platform Oral History Digital (OH.d)

The presentation treats the following questions: What kind of meta data (personal, technical, etc.) and for how long should it be collected, stored and disclosed in a born-digital interview archive? How the meta data should be collected, extracted and analysed within an Oral History research project and beyond? Is the transcription always needed or an index would be sufficient?

Expert interview to develop future scenarios for what a cultural heritage digital infrastructure at a national or transnational level could look like.

The Presbytery of the Robert Schuman house hosted a one-day workshop about children, welfare, and borders, bringing together scholars from across Europe to collaborate on a special issue edited by Prof. Machteld Venken (C²DH) and Dr. Dominika Gruziel (EUI).

This poster delves into the intricate interplay between global expectations for research in contemporary history, the evolving landscape of digital curation, the imperative for efficient research data management, the creation of a well-structured and effective plan for digital infrastructure by emphasizing the significance of developing a comprehensive framework for the analysis and interpretation of contemporary history.

The history of the French-Luxembourgish border has been marked by the rapid growth of the iron and steel industry and the massive influx of immigrants coming to work in this cross-border industrial region. Employing a microhistorical lens and a relational approach, this doctoral research explores how border regimes were transgressed by everyday smuggling or subverted by Italian communist networks in the interwar years.

Inégalement préservés, les RSN entrent dans les enjeux d’archivage du web de manière plus ou moins précoce. La Bibliothèque nationale de France [BnF] a archivé Dailymotion entre 2007 et 2013, Twitter depuis 2012 et YouTube à partir de 2017. L’Institut national de l’audiovisuel [Ina] archive YouTube et Vimeo depuis 2009-2010 et Twitter depuis 2014. Si toutes les plateformes ne bénéficient pas encore d’une activité de captures régulières, de nouveaux projets de collecte améliorent la couverture. Ainsi la BnF gère des collectes Instagram depuis 2020 et TikTok depuis 2022.

Cette contribution emprunte les outils de la microhistoire et de l’histoire par le bas pour interroger l’expérience d’un individu confronté aux institutions de prise en charge des personnes vulnérables et à la marge dans la Belgique du XXème siècle. Par l’examen d’un corpus d’archives jusque-là inexploitées dans une recherche scientifique, cet article retrace ainsi le parcours de vie sur