Data

A review of Claire Clivaz, Jérôme Meizoz, François Vallotton, et Joseph Verheyden, éds. Lire demain: Des manuscrits antiques à l’ère digitale [Reading Tomorrow: From Ancient Manuscripts to the Digital Era]. (Lausanne: Presses polytechniques et universitaires romandes, 2012). 978-2-88074-958-3.

Communiquer la science : une activité désormais centrale, aux formes diverses et engageant de multiples acteurs, compétences et supports. Cet Essentiel propose des regards croisés interdisciplinaires pour explorer les enjeux et les évolutions récentes de l’information et de la communication scientifiques à l’heure du numérique.

This article analyses the initiating role of the steel industry in educational selection by means of psychometric techniques used in the psycho-physiological laboratory associated with a vocational school in Luxembourg founded in 1914. It first considers the origins of, and initial meanings bestowed upon, this first (and perhaps also last) Luxembourg Laboratory of Psychophysiology. Second, it investigates whether and, if so, to what extent psychometric techniques developed

Students and researchers of media and communication sciences study the role of media in our society. They frequently search through media archives to manually select items that cover a certain event. When this is done for large time spans and across media-outlets, this task can however be challenging and laborious. Therefore, up until now the focus of researchers has been on manual and qualitative analyses of newspaper coverage. PoliMedia aims to stimulate and facilitate large-scale, cross-media analysis of the coverage of political events.

This article reconstructs the world of the Dutch amateur film around 1930; a dynamic period during which the amateur film gradually developed from being just one branch of photography (cinematography) to becoming an independent film discipline. On the basis of a series of articles about amateur film, published in the photography magazine 'Focus', we shed light on the changing creative processes and discourses of early amateur films and by extension the ‘making of’ early amateur filmmakers themselves.