Institutions culturelles

Tune in to the amazing history of one of the world’s greatest radio stations, based in one of the world’s smallest nations – Radio Luxembourg.

Developing a sustainable network between the general public and cultural organisations to preserve memories and heritages in the long term.

The 2022 online symposium focused on groups and communities becoming active participants in the production of history in museums.

Call for papers for the second volume of the Memory Studies Review (Brill publishing), 2024. Abstracts submission deadline 15 May 2023.

Conference on 7-8 December 2023 at the University of Luxembourg. Deadline: 21 April.

Meeting (14 sessions, 1 hands-on workshop and 1 conference) about the two standards for information integration in the fields of Cultural Heritage and Libraries.

Organised by the Public History as new Citizen Science of the Past (PHACS) project, the 2022 symposium focuses on groups and communities becoming active participants in the production of history in museums

As part of a series of events on public participation in history museums, we now open the call to participate in the 2022 International Symposium. Organised by the Public History as new Citizen Science of the Past project, the symposium will take place on 7 December 2022 (fully online).

Why is history important? Why does society need history and historians? Read Fabio Spirinelli's personal answer as a historian and citizen.

In October, I traveled to Prague for a workshop on the history of science and the Second World War. For the second time during my PhD, it was an opportunity to cross the imaginary iron curtain. The experiences during those days were undoubtedly insightful.

The C²DH has signed an agreement with the “European Capital of Culture Esch 2022” asbl (non-profit organisation) for the research project “Remixing Industrial Pasts in the Digital Age: Sounds, Images, Ecologies, Practices and Materialities in Space and Time”.

My research sometimes leads me onto unexpected paths. My travel to Koblenz counts without doubt among them.

A Forum Z on history paintings, 3D reconstructions, virtual worlds and time machines.

Hands-on History session with Gilles Zeimet, National Museum of History and Art (MNHA)

The aim of the conference was generate and trace the “Provenance of Knowledge” as a core element in documentation. Provenance and Knowledge set a goal to verify the origins of the information and knowledge about an object which correlates to an idea in order to reconstruct the whole chain of creation, use, interpretation and dissemination of particularly information.

More and more cultural institutions create virtual tours that allow visitors to explore the collections at home instead of actually visiting the institutions. In this blog post, I would like to provide some reflections on virtual tours, their usefulness and their limits.

Impliqué pendant près de dix ans dans les différentes phases de développement de la Maison de l’histoire européenne à Bruxelles, Étienne Deschamps a partagé cette expérience unique d’histoire publique et son témoignage de praticien avec les participants du séminaire « Hands on History » organisé par le C²DH.

Some time ago, I was wondering whether I could use Google Maps as a tool for my research on the history of the National History and Art Museum in Luxembourg, to adopt a distant reading approach, with the aim to gain new insights. I did it and, in the following blog post, I look back at this small experience.

The European Culture Forum 2017 took place in Milan from 7 to 8 December. It was also the official kick-off event of the European Year of Cultural Heritage 2018. In the following blogpost, I would like to summarize and discuss the debates related to culture and cultural heritage that took place during the event and add some personal reflections.

Debates on the role of museums and their place in society are not new. Though museums have become more visitor-oriented over the past decades, a lot of potential remains unused. In this blogpost, I would like to discuss how museums can be places of "shared authority" and public debate.