Data

In the 1980s, two photographers were exploring the industrial region of Luxembourg by camera. Jos Rinaldi, a mechanical engineer/technician at ARBED, and Fred Bisenius, a social and cultural activist, were documenting the life, work, leisure and landscapes of the Minett. The Minettsmap offers us a glimpse of the past through the lens of their outstanding collection.

The Russian invasion of Ukraine on February 24th 2022 has triggered a worldwide wave of support and expressions of solidarity, also among C²DH staff. This report gives an overview of their past activities together with a preliminary review and recommendations for the year 2023. This does not cover private support activities undertaken by C²DH members. This report consists of three parts: First, a brief summary of the response of Luxembourgish research institutions, published already in June 2022. Second, a chronology of activities by C²DH staff since March 2022.

Linking large digitized newspaper corpora in different languages that have become available in national and state libraries opens up new possibilities for the computational analysis of patterns of information flow across national and linguistic boundaries. The significant contribution this article presents is to demonstrate how word vector models can be used to explore the way concepts have shifted in meaning over time, as they migrated across space, by comparing newspapers from different countries published between 1840 and 1914.

In this article, we introduce software under development by the Digital History Advanced Research Projects Accelerator (DHARPA), an interdisciplinary team of researchers and developers working to enable best practices in the humanities through technology. We argue that the strength and appeal of historical inquiry lies largely in the relationship between scholars and their sources, a connection in which the former engage with the latter

Digitised Historical Newspapers: A Changing Research Landscape was published in Digitised Newspapers A New Eldorado for Historians? on page 1.

The pandemic fundamentally changed the material culture of clothing for care workers. If most of them wore already some sort of uniform, be it for hygienic reasons, be it to make their status visible, Covid19 profoundly transformed the clothing codes, beyond the mask. These new “protections” thoroughly changed the caring experiences in several aspects. As they enclose the body more intimately, working conditions became more laborious. The sensory land¬scapes of care (vision, hearing, touch, taste, smell) were fundamentally altered.

Between 1959 and 1961, the national newspaper Luxemburger Wort published a photo series dedicated to the Minett. These so-called “Biller aus dem Minett” (Images from the Minett) were intended to serve as a platform for amateur photographers, allowing them to show everyday aspects of life in Luxembourg’s industrial region. Today, the approximately 150 “Biller” are a collection of historical interest, which provides a unique view on Luxembourg’s industrial region shortly before the economic downfall.

Despite the fact that photography in the Minett had been very popular since the early 1900s, working men with cameras used it to perfect their technique rather than as means of activism or social impact. Towards the 1980s, however, this began to change. Two cases of such transformation are the Fotoclub Diddeleng in the industrial town of Dudelange and the Fotokollektiv Schluechthaus in Esch-sur-Alzette.

This book offers a plea to take the materiality of media technologies and the sensorial and tacit dimensions of media use into account in the writing of the histories of media and technology. In short, it is a bold attempt to question media history from the perspective of an experimental media archaeology approach. It offers a systematic reflection on the value and function of hands-on experimentation in research and teaching.

This chapter assesses the general and academic uses of social media (most particularly twitter) during the Centenary of the First World War.

Les tertres d’orpaillage de l’actuel territoire belge ont été identifiés comme tels vers 1876 par J. Jung. Depuis, la connaissance de ces structures n’a que peu évolué, aucun tertre n’ayant été fouillé suivant une méthodologie permettant de les dater sans équivoque. De nombreuses descriptions des formes, tailles et contenus ont été réalisées ainsi que des propositions d’attributions chronologiques reposant sur des hypothèses logiques plutôt que sur des faits empiriques (à la place d’empiriques, écrire scientifiquement démontrés ?) Seul J-M.

The digital – be it in forms of data, infrastructures, or tools – interferes atall levels in the practice of doing public history. This chapter argues that digitalpublic historians have to reflect more deeply on the epistemological consequencesof their digital practices. It proposes the concept of “digital hermeneutics” as a conceptual framework for this reflection. As a “hermeneutics of in-betweenness,” digital hermeneutics investigates the trading zone of digital public history where new digital methods and approaches meet disciplinary traditions and epistemic cultures of history.