Data

Syllabus for my class "Podcasting the Past" (Fall 2023). In progress

The conceptions of Belgium that lie behind the demands of German-speaking

Text Reuse reveals meaningful reiterations of text in large corpora. Humanities researchers use text reuse to study, e.g., the posterior reception of influential texts or to reveal evolving publication practices of historical media. This research is often supported by interactive visualizations which highlight relations and differences between text segments. In this paper, we build on earlier work in this domain.

L’entretien qui suit offre un témoignage sur les enjeux, pratiques et difficultés suscités par l’ouverture et l’exploitation des données du web et des réseaux sociaux numériques.

Historical newspapers are mirrors of past societies, keeping track of the small and great history and reflecting the political, moral, and economic environments in which they were produced. Highly valued as primary sources by historians and humanities scholars, newspaper archives have been massively digitised in libraries, resulting in large collections of machine-readable documents and, over the past half-decade, in numerous academic research initiatives on their automatic processing.

Durant la seconde moitié du vingtième siècle, il a été souvent écrit que les activités d’orpaillage de l’Ardenne belge remontaient au second âge du Fer. Cette attribution chronologique ne repose en réalité sur aucune observation scientifiquement démontrée. Par contre, une récente étude cartographique a mis en évidence la superposition des limites alto médiévales du domaine de l’abbaye de Stavelot Malmedy avec les tracés des ruisseaux aurifères du massif de Stavelot.

The application of digital technologies to historical newspapers have changed the research landscape historians were used to. An Eldorado? Despite undeniable advantages, the new digital affordance of historical newspapers also transforms research practices and confronts historians with new challenges. Drawing on a growing community of practices, the impresso project invited scholars experienced with digitised newspaper collections with the aim of encouraging a discussion on heuristics, source criticism and interpretation of digitized newspapers.

Dr Sara Afonso Ferreira presented to the students the Court of Justice of the European Union and the collection of works of art which it preserves and which are representative of the Member States and of Europe’s multicultural diversity. Curia's artistic heritage has evolved in line with the stages of European integration and the history of the institution itself, and embodies nowadays the European identity.