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Egberdien van der Peijl presented some artworks based on the ZWANG-proeject photograph sollection of the Ostarbeiters, made on the forced labourer camp sites and or in the steel mills together with DJ Yoni. The musical improvisation together with a theatrically played performance imitated the life of an Ostarbeiter in the gallery's basements. The venue was Fellner Contemporary in the city.

This Zotero group library collects literature about the intersection of Jewish Studies and digital humanities. It goes back to early uses of computing in JS in the 1950s. This is an archived version of the records added between 2019-2022. The bibliography is part of the project #DHJewish - Jewish Studies & Digital Humanities: https://dhjewish.org/.

Biography of Emmy Poukh (1933-2023), the wife of the Russian-Orthodox priest Luxembourgs Serge Poukh (1926-2016)

Throughout her academic projects, Dr Ganschow is working on the presence of the so-called Russian diaspora in Luxembourg, i.e. the emigrant population from former Soviet Republics. Her current project deals with Soviet forced labourers during the Second World War and is commissioned by the Luxembourg government. In her work, she decided to compare the situation of these forced labourers, mainly young women coming from Ukraine, with the local population, in the Belval region in the south of Luxembourg.

The Banque Générale du Luxembourg (BGL), established in 1919, is one of Luxembourg’s iconic financial institutions. Drawing on the bank’s private archives, this article explores the many architectural changes made to the BGL headquarters over the years, ranging from extensions and renovations to new building projects. Throughout the bank’s history – and especially from its establishment until the late 1980s –, the buildings that housed its head office in the centre of Luxembourg City went through multiple transformations.

This special issue is the result of our second call for the Internet Histories Early Career Researcher Award. For the second time, in 2021, the journal Internet Histories has invited any interested early career researchers (masters students, doctoral students, and post-doctoral researchers) whose research focuses on the history of the Internet and/or the Web, and histories of digital cultures — or any historical topic within the scope of the Internet Histories journal, to apply for the award and to submit an original article.

Answering complex questions over textual resources remains a challenge, particularly when dealing with nuanced relationships between multiple entities expressed within natural-language sentences. To this end, curated knowledge bases (KBs) like YAGO, DBpedia, Freebase, and Wikidata have been widely used and gained great acceptance for question-answering (QA) applications in the past decade. While these KBs offer a structured knowledge representation, they lack the contextual diversity found in natural-language sources. To address

In 1984, the German literature scholar Hannes Schwenger wrote that “it cannot take long before the first museum on offices opens its doors – probably before the turn of the millennium”. Schwenger drew a parallel with 19th-century factory complexes, which were (by the mid-1980s) gradually becoming museum-worthy due to the ongoing deindustrialization in Western countries.

CulturHist has its sights particularly on the community of researchers, who have done little to make the results and suggestions offered by the digital humanities their own. We want to focus the discussion on a cross cutting issue: the link to archives, as the raw material for writing an account of the past. The habit of working digitally of those historians who do not nowadays verbalise their computer practices is now widespread and is bolstered by policies aimed at making many digitised document collections available online.

Die Geschichte Ostbelgiens in den letzten 50 Jahren ist nur vor dem Hintergrund vielfältiger Entwicklungen zu verstehen: die Föderalisierung Belgiens und der Strukturwandel in Wirtschaft und Gesellschaft stehen in diesem Buch im Vordergrund. Die Einleitung fragt anhand von Konzepten wie Erfahrungsraum, Erwartungshorizont und Angstregimen danach, wie diese Geschichte geschrieben und interpretiert werden kann. Dabei zeigt sich: Auch in Ostbelgien entwickelt sich Zeitgeschichtsschreibung von einer Nachgeschichte des Zweiten Weltkriegs zu einer Vorgeschichte der Gegenwart.