Data

Repair, reuse and disposal are closely interlinked phenomena related to the service lives and persistence of technologies. When technical artefacts become old and worn out, decisions have to be taken: is it necessary, worthwhile or even possible to maintain and repair, reuse or dismantle them – or must they be discarded? These decisions depend on factors such as the availability of second-hand markets, repair infrastructures and dismantling or disposal facilities.

Gerson Aronov came from Smolensk in western Russia and was sent as a soldier to France in 1914, where he was taken prisoner by the Germans. After World War I, he worked in the steel industry in Lorraine and in Esch/Alzette. Together with his Luxembourgian wife Sophie Herz from Medernach, he opened a confectionery store in Differdange in 1937. Under German occupation, Aronow was forced to work for Paul Wurth and their business was confiscated.

Although the voice of migrants and minorities has increasingly being heard in migration research, studies of past narratives of migration remain comparatively rare. The reason for this lies in the fact that accessing historical records of migrants’ personal accounts is technically difficult. Voicing the experiences and ‘inner life’ of migrants, the immigrant press represents a suitable compromise.

Within the historiographical field of “political architecture”, ministerial office buildings have always been a somewhat marginal subject, undeservedly deemed of secondary importance in relation to more “representative” types of political buildings. Dwelling on the insights of the nineteenth-century essayist Bagehot and the office historians Duffy and Gardey, my contribution postulates that from the early twentieth century onward, ministerial office architecture has become an essential functional

The visual turn recovers new pasts. With a focus on education, this book seeks to present a body of reflections that question a certain historicism. It renovates historiographical debate about how to conceptualize visual media while presenting new themes and methods for researchers. Images are interrogated as part of régimes of the visible, of a history of visual technologies and visual practices.

Agglomeration and spillovers are key phenomena of technological innovation, driving regional economic growth. Here, we investigate these phenomena through technological outputs of over 4,000 regions spanning 42 countries, by analyzing more than 30 years of patent data (approximately 2.7 million patents) from the European Patent Office.

It is the goal of this issue of Medien & Zeit to provide a glimpse on the long history of how media in their many different forms and variations, served as either and amplifier or even accomplice (for reasons of profit, influence, power or ideology), or in the contrary acted as an adversary to populist and radical politics. The goal of this issue hence is to contribute to an understanding of the role media played as potential accomplices or carriers of populist agitation (e.g.

The paper looks at a global, non-commercial organization that not only steered worldwide innovation in communication infrastructure but also made efforts to define ethical standards for media use and mass communication. Established after the Second World War, the United Nations Educational, Scientific and Cultural Organization (UNESCO) ran campaigns in the late 1940s to remove information barriers and foster the free flow of information throughout the world.

In this presentation, I will “perform” the making of a 16mm home movie based on my media archaeological experiments with an original Ciné-Kodak film camera from 1930. A split screen montage shows the recorded analogue film fragments besides footage that illustrates the process of making the film captured by my documentation equipment, including a digital video camera, GoPro and 360 degree camera.