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Cultural routes, defined as routes of historical importance that geographically represent the shared and living cultural heritage of different countries, have recently gained attention both as tourist destinations and as social repositories of collective local memories. In this paper we argue that the recent development of digital humanities can open interesting new perspectives for the empirical exploration of these routes as cultural objects.

Am Kader vun engem Recherche-Projet iwwer "100 Joer russesch Emigratioun op Lëtzebuerg" fuerscht d'Inna Ganschow, mat der Ënnerstëtzung vun der Lydie-Schmit-Stëftung, ënnert anerem och iwwer d'Lous vu sowjeteschen Zwangsaarbechter, déi an de Joren 1942 bis 44 op Lëtzebuerger Schmelzen an a Lëtzebuerger Bauerebetriber geschafft hunn.

Présentation des publications numériques sur le processus de la construction européenne analysé dans une perspective transnationale et multidimensionnelle sur le site cvce.eu. Les collections de publications thématiques et le programme d’histoire orale, comprenant près de 100 interviews de personnalités européennes, constituent une approche innovante de la construction européenne.

The First World War was the catalyst for social and technical changes, which gave rise to new administrative needs, materialized by the emergence of a new social group: that of the experts. In modern German and Polish states, a particular group of experts stands out, specializing in a theme with deep cultural roots: eastern Europe.The changes of regime and territory between 1918 and 1972 destabilize the frame of reference of the German and Polish societies, particularly between 1939 and 1945.

The article treats a friendship between a Soviet POW and a Luxemburger in 1944, both working at the Reichsbahn under the German occupation in Luxembourg.

With a long tradition of political stability and social democracy, a creative development model, skilled human capital and a culture of consensus, Luxembourg is at the forefront of Europe. Its main strategic challenge is how to achieve economic diversification while maintaining the sustainability of the Luxembourg social model. The country has embarked on the "third industrial revolution", with innovation as the main driver of sustainable growth and the University of Luxembourg as a major player.

‘Changes were in the air’ – is perhaps the best way to describe the social mood at the end of the 1960s and the beginning of the 1970s. On the international stage, the gap between the post-war generation, known as the ‘baby boomers’ and the generation that had experienced World War II as adolescents or young adults came to light in the form of student protests, anti-war movements and new concepts of life. It is scarcely a coincidence that there were protests in eastern Belgium too at this time. What were the ‘young wild ones’ protesting against in the German speaking region of Belgium?

Banquier, penseur de la finance internationale et Européen convaincu, Alexandre Lamfalussy (1929-2015) est, sans conteste, l’un des architectes de l’euro. Dans ses jeunes années, il s’intéresse à l’intégration européenne et aux questions financières et monétaires. Lorsqu'il devient banquier, notamment au sein de la BRI (1976-1993), est l’un des premiers à alerter contre l’accumulation des dettes en Amérique latine et à préconiser une meilleure régulation internationale pour éviter les excès.

This paper examines images of industrial work(ers) as contributions to visual meaning-making. The selected examples illustrate the deployment of industrial work(ers) as a motif in a variety of artistic genres and media that circulated in interwar Luxembourg. The different depictions, which were distributed and promoted by different actors with different interests, show the industrial worker as affiliated with or a representative of a particular steel company, the industrial sector as a whole, the Luxembourg nation or the working class.