Data

More than 10,000 Luxembourgish soldiers and recruits and an unknown number of Luxembourgish men and women wore German uniforms during WWII in armed forces and civil organisations, such as the Wehrmacht, Waffen-SS, armed police forces and the Reichsarbeitsdienst (RAD). The "WARLUX" project, based at the University of Luxembourg in the Luxembourg Centre for Contemporary and Digital History (C2DH), intends to collect the biographical data of Luxembourgers who were drafted into the German Army and the Labour Service.

Ce numéro de Signata vise à poser la question de l’archive d’un point de vue sémiotique et sémio-pragmatique. On entend ici par « sémiotique » non pas une discipline unique, mais une pluralité de manières de questionner le sens, les formes et les valeurs au sein des disciplines historiques, sociologiques, philosophiques, linguistiques, médiatiques, artistiques, etc. Le but du dossier est ainsi la constitution d’une cartographie qui embrasse les différentes approches qui, dans le domaine de l’archive, peuvent faire émerger les questionnements liés au sens.

As digital cultural collections become increasingly sophisticated in their scope and functionality, there is a need to build an in-depth understanding concerning the information behaviors of users in this new domain. Research has demonstrated that many digital museum visitors are engaged in casual leisure during exploration of a collection, suggesting that they do not have an inherent information goal but rather seek new experiences or learning opportunities based on personal curiosity and moments of discovery.

Recension de l'ouvrage de Florence Descamps, Archiver la mémoire. De l’histoire orale au patrimoine immatériel, Paris, Éd. de l'EHESS, 2019, 241 pages

The visual turn recovers new pasts. With a focus on education, this book seeks to present a body of reflections that question a certain historicism. It renovates historiographical debate about how to conceptualize visual media while presenting new themes and methods for researchers. Images are interrogated as part of régimes of the visible, of a history of visual technologies and visual practices.

Stefan Krebs and Heike Weber historicise the concept of "repairing things" with a view to broadening and redefining the emphasis of current debates on repair as a "new social movement" and the emergence of a "repair society". These current discourses often lack a sense of the long history of repairing things which saw ups and downs in cultures of repair and self-repair. The chapter charts out the heterogeneity and interrelatedness of the actors involved in repair over time.

French translation of the article "Technostalgia of the present: from technologies of memory to a memory of technologies" (2015): https://necsus-ejms.org/technostalgia-present-technologies-memory-memory....

Recension de Jérôme Denis, Le Travail invisible des données. Éléments pour une sociologie des infrastructures scripturales, Paris, Presses des Mines, 2018, 206 pages

The history of (Western) European industrial cities is often told as a tragic tale of rise and decline: from rapid industrialisation in the late 19th century and economic prosperity during the Trente glorieuses to the structural changes of the late 1970s and the subsequent deindustrialisation of the 1980s and 1990s – decades in which most mines and steelworks closed down, unemployment rates went up, new social problems emerged, workers’ identities eroded, and once prosperous urban centres became faced with shrinking populations and empty stores in their shopping streets.