Data

This paper aims to investigate the concept, context and socio-economic consequences of fiscal competition in the integrated economic space of EMU in completion, to pinpoint the positive and negative factors at work via a case study of the Benelux countries – both founder members of the EU and pioneers of EMU – and to examine the impact on European and international regulations in the field. In particular, it will endeavour to provide a comprehensive interpretation of fiscal policy in the Benelux countries via a comparative approach and from a historical perspective.

L’exposition retrace l’histoire de BGL BNP Paribas depuis ses débuts en 1919 jusqu’à nos jours, ainsi que son rôle et sa participation dans l’économie et le développement du Grand-Duché de Luxembourg.

“Nature, thank God, is far more merciful than people”. This memorable statement is taken from Alfred Oppenheimer’s testimony during the Eichmann trial in Jerusalem, in which he describes his ordeals during the war.

Lecture by Prof. Dr David Bodenhamer, Indiana University-Purdue University Indianapolis, and exclusive interview for the C²DH’s ‘New Horizons’ lecture series.

In this interview, Professor Jane Winters gives an overview of her career, starting as a medieval historian to becoming a professor in digital history. She talks about her main work with born digital archives and reflects on how web archive changes historical research. ‘History from below’ with a big interest in genealogy and local history being very popular in the UK, she describes the character of digital history in her country and the response of both amateur and professional historians to digitisation.

Oral history is a field with a growing digital component and, as with other DH fields, computer-based techniques and systems have revolutionized the way we process and present content. One particular set of activities, which I refer to as Oral History Digital Indexing (OHDI), has been important in shaping new processes and methods for organization, analysis, and curation of digital oral history. I have been directly involved with this work in the United States and am currently working in Luxembourg to explore what aspects of OHDI will be appropriate in Europe.

This paper addresses the question how Digital History “trading zones” are being constituted in practice and how they are situated in physical working environments. The analysis is based on a case study of the Doctoral Training Unit (DTU) “Digital History and Hermeneutics”, an interdisciplinary research and training programme that was established at the Luxembourg Centre for Contemporary and Digital History (C²DH) of the University of Luxembourg.

Settlement patterns are one of the main products of the Stone Age archaeological research. Their emergence processes can be explained by different models of settlement and mobility choices done by past inhabitants. In current study we explore central place foraging (CPF) model of huntergatherers as a tool for exploring formation of settlement patterns. CFP model is used for describing mobility choices of hunter-gatherer groups. It implies the groups settle at a central location and make logistic forays to surrounding areas foraging for required

Introduction to the inaugural issue of the DH Benelux Journal which explores the theme of Integrating Digital Humanities.

Over the past three decades, oral history (OH) has been deeply transformed by the advent of digital technologies. The digital turn leads to growing number of online OH databases, resulting from “process-oriented” projects (i.e., life story interviews conducted without specific research questions). Large amounts of such data have been deposited in archives, available not only for secondary analysis by researchers who did not participate in the initial data collection, but also for other social actors like teachers, educators, and documentarists.

The experience of visiting museums has evolved to extend beyond the walls of the institutions themselves into digital spaces, where online galleries, exhibitions, and virtual tours invite audiences to explore arts and culture from their personal devices. However, generating interest from the public around these platforms remains a challenge, and the digital experience rarely compares to an