Data

As digital cultural collections become increasingly sophisticated in their scope and functionality, there is a need to build an in-depth understanding concerning the information behaviors of users in this new domain. Research has demonstrated that many digital museum visitors are engaged in casual leisure during exploration of a collection, suggesting that they do not have an inherent information goal but rather seek new experiences or learning opportunities based on personal curiosity and moments of discovery.

In this study, we describe the results of a series of co-creation workshops in museums with the goal of designing future digital cultural collections. Ranging from exhibition teasers to comprehensive virtual galleries, digital collections are an increasingly prominent feature of many museum websites but remain a largely unexplored facet of the visitor experience.

Heike Weber and Stefan Krebs argue that repair should be discussed from a temporal perspective – one which reaches beyond the timescale of the repair process itself. This includes the historicity of repair, i.e. that repair practices and cultures have changed over time and should be investigated in their respective historical contexts. But it reaches beyond historicity and refers to the manifold temporalities included in processes, infrastructures and acts of repair.

Belgian historical research concerning the repression of collaboration after the Second World War, has mostly overlooked the East Cantons. This mostly German-speaking region only became a part of Belgium in 1920, as a consequence of the treaty of Versailles. The integration of these populations turned out to be a very complicated process. In 1940, Nazi-Germany did not only occupy the East Cantons like the rest of Belgium, but annexed them back into the Third Reich.

The future of historiography seems to belong to Public History Thomas Cauvin author of the path breaking book Public History A Textbook of Practice, even argues that we should all become public historians. In his book and as a public historian he explored fields as different as brewing and food history digital public history controversies over monuments public history as empowerment and the possibility of an international public history.

Stefan Krebs and Heike Weber historicise the concept of "repairing things" with a view to broadening and redefining the emphasis of current debates on repair as a "new social movement" and the emergence of a "repair society". These current discourses often lack a sense of the long history of repairing things which saw ups and downs in cultures of repair and self-repair. The chapter charts out the heterogeneity and interrelatedness of the actors involved in repair over time.

Stefan Krebs uses the case of Germany to investigate maintenance and repair as a central part of automobility. The chapter will look at two sides of car repair as the need to maintain the mobility function and the practice of a hobbyist consumer activity that promised status, community and identity. It highlights four aspects that framed repair as a necessary part of car consumption: the (un-)reliability of automobile technology; the emergence of a car repair infrastructure; repair costs, which determined to a large extent whether one could afford to drive a car; and DIY repair practices.

French translation of the article "Technostalgia of the present: from technologies of memory to a memory of technologies" (2015): https://necsus-ejms.org/technostalgia-present-technologies-memory-memory....

The paper looks at a global, non-commercial organization that not only steered worldwide innovation in communication infrastructure but also made efforts to define ethical standards for media use and mass communication. Established after the Second World War, the United Nations Educational, Scientific and Cultural Organization (UNESCO) ran campaigns in the late 1940s to remove information barriers and foster the free flow of information throughout the world.