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As Novas Tecnologias de Informação e Comunicação inauguraram na virada do último século novas possibilidades de documentos, novas maneiras de fazer citações e referências que chamam bastante atenção da comunidade historiadora. Identificamos na

Automobile sounds contain information on the technical state of the car: The example of the professionalization of the car mechanics craft during the interwar years shows how automobilists and mechanics experienced car sounds and how they tried to read the contained information. In a first step two listening practices will be distinguished: monitory listening and diagnostic listening. Then, a characterization of the listening practices will be given. The contemporary sources reveal that automobilists and mechanics equally appropriated the listening practices as social practice.

Né au sein du Centre d’Histoire et des Nouveaux Médias de l’Université de George Mason en Virginie, Zotero se distingue comme étant un logiciel capable de s’adapter au nouveau environnement numérique dans lequel travaille l’historien ajourd’hui. Ses multiples fonctionnalités – passées en revue dans ces pages – s’averent être des outils incotournables pour la gestion et l’exploitation des différents corpus de soures.

Ce chapitre à partir des exemples historiques interroge le rapport à la technique d'équipes d'ingénieurs ayant travaillé à l'Inria.

After a period of intensive work on national memory cultures, we are observing a growing interest in memory both as a social and an individual practice. Memory studies tend to focus on a particular field of memory processes, namely those connected with war, persecution and expulsion. In this sense, the memory – or rather the trauma – of the Holocaust is paradigmatic for the entire research field. The Holocaust is furthermore increasingly understood as constitutive of a global memory community which transcends national memories and mediates universal values.

Through the study of commemorative exhibitions arranged at the National Museum of Ireland (Ireland) and at the Ulster Museum (Northern Ireland), this thesis compares the changing representations of three historical conflicts ...

The "Bitter Years" was the title of a seminal exhibition held in 1962 at The Museum of Modern Art, New York, curated by Edward Steichen, and 2012 marks its 50th anniversary. The show featured 209 images by photographers who worked under the aegis of the US Farm Security Administration (FSA) in 193541 as part of Roosevelts New Deal. The Great Depression of the 1930s defined a generation in modern American history and was still a vivid memory in 1962.