Data

Filant la métaphore culinaire, cet article interroge le « changement de régime » qu’entraîne le recours aux archives du Web.

In this interview, Professor Andrew Prescott describes his beginnings as a librarian and how this profession brought him to the field of digital humanities. He emphasizes more broadly the role of curators in this field including the role of metadata and the configuration of collections in a new way. Andrew Prescott also historicizes the digital turn in humanities and explores the most exciting trends for the future.

Cette intervention se propose d’observer - de la collecte à l’exploitation par les chercheur.e.s, différents aspects, paradoxes, défis et enjeux de l’archivage du Web et de ses archives.

The socio-discursive landscape surrounding the migration debate is characterised by a growing sense of crisis in both personal and collective identities. From this viewpoint, discourses about immigration are also always attempts at reconstructing the threatened ‘home identity’ of the respective host society. It is such attempts at reasserting identity-in-crisis (due to migration) that are the focus of the volume Migration and Media: Discourses about identities in crisis.

The analysis of UNESCO’s audio-visual archives for their digitization has brought to light a forgotten album of 38 contact sheets and accompanying texts by Magnum photographer, David “Chim” Seymour – a reportage made in 1950 for UNESCO on the fight against illiteracy in Italy’s southern region of Calabria. A number of his photographs appeared in the March 1952 issue of UNESCO Courier in an article written by Carlo Levi, who had gained worldwide fame with his novel Christ Stopped at Eboli (1945).

Cet article aborde le rôle de la corporation des tanneurs dans les conflits de voisinage à Namur à la fin du XVIIIe siècle. Il retrace le procès de Pierre Rosa, membre de la corporation des tanneurs et cordonniers de Namur, traduit devant la Haute Cour de cette même ville en 1776 avec l'accusation de cambriolage chez son voisin et