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Recension de Jérôme Denis, Le Travail invisible des données. Éléments pour une sociologie des infrastructures scripturales, Paris, Presses des Mines, 2018, 206 pages

The history of (Western) European industrial cities is often told as a tragic tale of rise and decline: from rapid industrialisation in the late 19th century and economic prosperity during the Trente glorieuses to the structural changes of the late 1970s and the subsequent deindustrialisation of the 1980s and 1990s – decades in which most mines and steelworks closed down, unemployment rates went up, new social problems emerged, workers’ identities eroded, and once prosperous urban centres became faced with shrinking populations and empty stores in their shopping streets.

Vladimir Peninsky was a Russian refugee, spy, collaborator and composer in Luxembourg. His unknown and notable biography is the focus of the article.

Belgian historical research concerning the repression of collaboration after the Second World War, has mostly overlooked the East Cantons. This mostly German-speaking region only became a part of Belgium in 1920, as a consequence of the treaty of Versailles. The integration of these populations turned out to be a very complicated process. In 1940, Nazi-Germany did not only occupy the East Cantons like the rest of Belgium, but annexed them back into the Third Reich.

This book chapter concentrates on photography as a technology that goes beyond the image. The chapter looks at documentary photography as an institutional and material practice of humanitarian ‘propaganda’ and discusses how notions of childhood intensified the urgency of humanitarian campaigns. It analyzes how UNESCO carefully selected and edited David Seymour’s photographs of children of war-devasted Europe, and how the organization adapted and exploited his photographs for its own ends.